![]() Abrams, who would go on to reboot Star Trek. In tandem with the rise of the superhero, sci-fi entered its blockbuster and fan-driven era with the viral Cloverfield, produced by J.J. The genre continued to grow as a playground for auteurs during most of the 2000s with some career-best works from Michel Gondry ( Eternal Sunshine of the Spotless Mind), Joss Whedon ( Serenity), Alfonso Cuaron ( Children of Men), and Danny Boyle ( Sunshine). Moving on, sci-fi takes a chilling turn with the fatalistic indie cult classic Donnie Darko, and Steven Spielberg‘s post-9/11, surveillance-state missive Minority Report, based on the Philip K. Maybe expect its own separate article exploration in the near future? Should note here that superhero movies were not considered for this list. Frequency, which is featured after The Matrix, was just fine for most critics, but its high Audience Score puts it over the top for the year 2000. A sequel, Matrix Reloaded, appears as the most-recommended sci-fi movie of 2003. The Wachowskis’ game-changing mind-bender was an enigma that became a cultural revelation when released in 1999, and its themes and iconography resonate today. In a way, City feels like a precursor to the following year’s best: The Matrix (both movies even use some of the same sets). The list begins in 1998 with Dark City, the moody, rain-drenched noir from director Alex Proyas. ![]() To choose the best sci-fi film of each year, we’re applying our recommendation formula, a calculation based on the Tomatometer and Audience Score that prioritizes titles that stood out among critics and fans, combined with a pinch of curatorial love from our editors. ![]() We’re celebrating 25 years of Rotten Tomatoes with a look back on some of the most celebrated movies of each year, since 1998! Previously we took a stab at the horror genre, drew up an extensive guide to animation, and now we’re hitting warp speed with science-fiction.
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